My chapter on struggle songs is finally done! I am surprised at the direction it took because it is not at all what I had in mind when I started. Initially I set out to do a study based on interviews. But as happens with research that involves human participants, my schedule was thrown off when I couldn’t pin down a day and time with one of my key informants. I also feel like I need to hear from more people than I initially had in mind, so I must still find them.
The approach of interview-based research is new for me because as a rhetoric scholar, my practice has been to focus on texts. I’m very comfortable doing this, but am mindful that for some topics, it is best to hear from people themselves, rather than put words in their mouths. That is certainly the case with struggle music. There is a lot of research on it, but most of the studies are by scholars like me, who come to the topic with a particular perspective. There is not much work that brings out the perspectives of people who actually sang struggle songs. That is what I had wanted to do in my study. It is something I still intend to do, and that is why my data collection is continuing, even though this first paper is done.
I like to think of the research process as one where the question you really need to ask unfolds as you do the study. Often I go into a project with an idea of what to focus on, and some idea of what I want to find out. But as I read, new elements emerge and they take me in a different direction to the one I’d initially set out on. It reminds me of my father, who was a novelist, who always used to say the characters in his stories tell him what story he needs to write, rather than him writing a story he has in mind. That is why at the end of most of my studies, I read my full paper and am amazed and pleased at how it has taken shape because the end product is not one I could have mapped out going into the journey. I feel like as I read it and write it, I too am leaning something new, and this encourages me that perhaps the readers too, will find it worthwhile.
(c) 2021 Sisanda Nkoala